One of them is on the latest (Fall 2010) issue of Interweave Knits.
Here is the older issue of Interweave Knits where Angela has 2 designs!
And, of course, the Vogue cover:
Now tell me, did you see her designs? I am sure you did.
I have no doubts that we will see so many more from this talented designer and enjoy wearing her creations. Here is what she told us.
1.When did you start knitting (crocheting) and who taught you?
This is a photo of myself as a tot (that's my little bro in the high chair), wearing a hand-knit outfit probably made by my grandmother. It's very 60s!
I started knitting when I was a child, I don't remember exactly what age. My mother taught me. I have never learned how to crochet anything more complicated than a simple chain. One of the first things I remember knitting was a vest in green Lopi wool, for my sister; I stayed up late on Christmas Eve one year in high school, trying to finish it in time for Christmas. Just thinking about that vest makes me itch-- I'm not quite a "No Sheep For You" person, but my preferred wool is extra fine merino, ideally worn with an under layer!
I started to create designs for myself when I was in college-- I played varsity soccer for three years (occasionally midfield, but mostly bench warmer), and there was a group of us that would knit on the long bus rides to away games. At least when we traveled with the women's field hockey team; when we shared the bus with the men's soccer team, I preferred to chat with the boys!
2. When did you begin publishing your designs?
I got my online start in 2006. I self-published several patterns, both free and for sale, on my blog. In addition, the (now-defunct) online magazine "Magknits" published three of my designs in 2006 (each one made the "cover" of its respective issue), and Knitty published one of my designs in the Fall 2006 issue. Then in 2007 I broke into print media, with a pattern in the summer issue of Interweave Knits.
3. What is your most favorite knitting (crocheting) technique?
Hmm. So many choices...I am very intrigued by short rows right now. They can be so much more than a simple shaping device. I also find reversible stitch patterns fascinating.
4. When you are thinking about some new design, what inspires you the most? Is it different every time? Could you give us some examples on inspiration for some of your designs?
Often I start by looking for an unusual stitch pattern. I enjoy finding ways to use the qualities of that stitch pattern in the design: for the Selva skirt (published in Interweave Knits Winter 2007), I thought the dense texture of the stitch pattern would make a perfect fabric for a skirt (skip the Spanx!), and for the Lace Cable Rib Pullover (pattern self-published), I let the rib pattern and the drape of the yarn do the shaping, while the eyelets in the stitch pattern kept the fabric lighter in appearance than the usual ribbing. I especially enjoy working decreases and increases into pattern stitches, and incorporating those into garment shaping, for example in the Chinese Lace Pullover, Dayflower Lace Camisole (both self-published) and Plaited Tam (Twist Collective); or transitioning lace or texture stitches into ribs, as in the Chinese Lace Pullover and the Primrose Path pullover (Twist Collective).
5. What does your studio look like?
Right now we are remodeling our house, so I'm using a temporary studio, with some of my yarn and reference books in storage, more of it crammed into a crawl space, and the active stuff in boxes on the floor! But when our house is finished, I'll have my own office, with plenty of file and shelf space, built in cubbies for yarn, a drafting table, a dressmakers mannequin, and a piano (well, we had to put it somewhere).
6. What is your most favorite place to knit (crochet)?
By nature I am impatient, so I love to bring my knitting to waiting rooms, on trains, to Little League games, that sort of thing-- it makes it much easier for me to be patient if I feel I'm doing something productive. (And I always stop knitting when my kid is up to bat.)
7. Do you spin your own yarn?
No. Nor do I plan to start. Nor do I dye.
8. Do you belong to a knitting group?
No. Unless Ravelry counts.
9. Are you in touch with other designers and how do you communicate with the knitters
who knit your designs?
I've contacted a number of other designers via email, and I've become friends with Connie Chang Chinchio, who introduced me to several designers on a trip to Northampton last fall: Ysolda Teague, Melissa LaBarre, and Gudrun Johnston. Now that I'm not living in Italy any more (I moved there with my family in fall 2006, and returned to the US a year ago), I hope to make it to more trade shows and festivals, and meet more knitters and designers in person. I communicate with knitters who knit my designs via email and on Ravelry.
10. Where can we see your published designs?
My self-published designs can be found on my website Knititude, (where there is also a list of just about all of my designs published elsewhere, including those in Interweave Knits, Vogue Knitting, and several books). I also have several patterns on Twist Collective, and a pattern in the book Brave New Knits.
11. Do you teach classes? If yes, where do you teach?
I tried to teach my son's first grade class how to knit. In 30 minutes. Not long enough. I learned to knit so long ago that I had forgotten how difficult knitting is when you are just starting! Other than that, I have not done any teaching, although I would be open to trying it.
12. What would you like to tell knitters who are timid and do not believe they are skillful
enough to knit some of your designs?
After my one teaching attempt, I thought a lot about what is difficult about knitting, and I concluded that mastering the basic knit and purl stitches are the hardest part; compared to that, a k2tog or a YO is easy! Okay-- maybe keeping your place in a complicated lace pattern, or doing a giant cable crossing, or even finessing a three-needle bind off-- those can still be tricky-- but it's all a matter of your skills progressing with practice, right? My personal challenge is learning to knit with one color in each hand (but I'll have to master the art of Continental knitting first, with yarn in the left hand-- I'm a thrower, with yarn held strictly in the right hand). Knitters can always feel free to email with questions about my patterns, but the best way to learn a particular knitting skill is to find a knitter who can show you in person (try your knitting group or LYS!).
13. What are your plans in the near future?
VERY unusual for a knitwear designer-- book proposal. I'm kidding about the "very unusual" part.
14. Can you share with us some of your latest designs?
Well, right now my latest design is easily spotted, on the cover of the Interweave Knits Fall 2010 issue! Very exciting (for me anyway). In other news, I've recently started creating original stitch patterns. This is the pattern of a scarf featuring an original reversible lace cable. It also includes directions for a wrap version. I named it "Onda," which is Italian for "wave."
(FG: It is now available on Angela's website.)
15. Would you like to add anything about yourself?
My maternal grandmother knit for most of her life and rarely used a pattern, just figuring out and copying stitch patterns that she liked (although her sizing and shaping were often rather odd). My paternal grandmother, a CPA, pronounced knitting "old-ladyish," and preferred to golf and travel. I like to think I got my affinity for knitting from one, and my math skills (important for a knitwear designer) from the other. What else? I was a veterinarian (small animal) for almost 15 years.
FG: all above photos of the designs have copyright of Angela Hahn unless otherwise noted
1)Inversion Gansey, Interweave Knits Fall 2010 (cover) ( © Interweave Knits)
3) Vine Leaf Beret, Vogue Knitting Fall 2009 (cover) (copyright Soho Publishing)
4) Sherwood child's sweater
5) Lutea Lace - Shoulder Shell, © Interweave Knits
6) Selva skirt, © Interweave Knits
7) Primrose Path pullover, Twist Collective (copyright Jamie Dixon)
8) Leaf Yoke top © Soho Publishing
9) Submission sketch for Leaf Yoke top, Knit.1 Spring/Summer 2009
10) Gudrun Johnston, Ysolda Teague, Connie Chang Chinchio and I, Northampton, MA, Fall 2009
11) Sorelle sweater
12) Aran Wrap, Vogue Knitting Fall 2008 (copyright Soho Publishing)
13) Reversible lace cable scarf Onda
14) Rose of Sharon hat
FG: I am so glad that we did this, Angela. Thank you for sharing with us your work. It is nice to hear that you continue to design, publish, and are working on a book proposal. Good luck with all of this! My readers and I will be looking for your new designs. I hope to see you at TNNA soon.